If they haven't, I think somebody ought to
get on it!
from: Stories of Georgia, by Joel Chandler Harris
http://www.gutenberg.org/files/24728/24728-h/24728-h.htm#link2H_4_0008
There are plenty of resources about this woman; this is just the first I happened to run across and I like it - so here it is!
. . .
AUNT NANCY HART
There lived in Georgia, during the Revolutionary struggle, the most remarkable woman in some respects that the country has produced. To find her match, we shall have to go to the fables that are told about the Amazons. The Liberty Boys called her Aunt Nancy Hart. The Indians, struck by her wonderful feats in behalf of her country, called her "The War Woman;" and there is a creek in Elbert County, where she lived, that was named by the Indians "War Woman's Creek."
There are other heroines to whom history has paid more attention, and whose deeds have been celebrated in song and story; but not one of them was more devoted to the high cause of freedom, or more courageous, or depended less on aid from others, than Aunt Nancy Hart. In this last respect, the War Woman of Georgia stands alone in history, just as she stood alone when the Tories were waging a war of extermination, sparing neither women nor children, in the region in which she lived. Invention and fable have kindly come to the aid of the most famous of the world's heroines, but neither fable nor invention has touched the character or the deeds of this heroine of the Revolution. She stands out on the pages of history rough, uncouth, hot-tempered, unmanageable, uneducated, impolite, ugly, and sharp-tongued; but, as her friends said of her, "What a honey of a patriot she was!" She loved the Liberty Boys as well as she loved her own children. It has been said that she was cruel; but this charge may as well be put out of sight. Before passing upon it, we should have to know what the War Woman's eyes had seen, and what terrible revelations her ears had heard. Standing for American independence in a region that swarmed with Tories, whose murderous deeds never have been and never will be fully set forth, Aunt Nancy Hart had to defend her own hearthstone and her own children.
The maiden name of this remarkable woman was Morgan, and she was born in North Carolina. She married Benjamin Hart, a brother of Colonel Thomas Hart of Kentucky. Thomas Hart was the father of the wife of Henry Clay, and the uncle of the celebrated Thomas Hart Benton. Aunt Nancy and her husband moved to Georgia with the North Carolina emigrants, and settled on Broad River, in what is now Elbert County. She was nearly six feet high, and very muscular,—the result of hard work. She had red hair, and it is said that she was cross-eyed, but this has been denied on good authority. It matters little. Her eyes were keen enough to pierce through all Tory disguises, and that was enough for her. It is certain that her courage and her confidence kept alive the spark of liberty in hearts that would otherwise have smothered it, and was largely responsible for kindling it into the flame that finally swept the British out of that section, and subdued the Tories. When the Whigs and patriots who had been her neighbors were compelled to flee before the murderous Tories, she refused to go with them, but stood her ground and never ceased to speak her sentiments boldly. Nothing but the wholesome dread with which she had inspired them prevented the Tories from murdering her and her children. When General Elijah Clarke moved the women and children of the Broad River region to an asylum in Kentucky, and the Liberty Boys had taken refuge in South Carolina, Aunt Nancy Hart remained at home, and for a long and dismal period she was unprotected save by her own remarkable courage.
At that period the houses were built of logs, and the chimneys were built of sticks plastered with clay. They were called "stack chimneys." One evening Aunt Nancy and her children were sitting around the fire, on which a pot of soap was boiling. Now, a pot of soap must be constantly stirred, and for this the strong, muscular arms of Aunt Nancy were peculiarly fitted. So she stirred the soap, and, as she stirred, told the youngsters the latest news of the war. Presently one of her children chanced to discover some one peeping through the crack of the chimney, eavesdropping. By a gesture or a nod of the head Aunt Nancy was informed of what was going on. She smiled, and grew more spirited in her talk, rattling away and laughing as she gave exaggerated accounts of the recent defeats of the Tories. As she talked, she stirred the bubbling soap, and kept her keen eyes on the crack where the eavesdropper had been seen. Suddenly she dashed a ladleful of boiling soap through the crack full into the face of the intruder. It was so quickly and deftly done, that the eavesdropper had no time to dodge the scalding stuff. He received the full benefit of it Blinded and half crazed by the pain, he howled and screamed at a tremendous rate. Aunt Nancy went out, and, after amusing herself at his expense, bound him fast and held him prisoner. The probability is that the next day she H tucked up her petticoats, shouldered her gun, and compelled the unlucky Tory to ford the river ahead of her; and that, once on the other side, she kept in constant communication with the Clarkes and with other partisans of the American cause.
Her husband, whom she sometimes jokingly described as "a poor
stick," assisted her in her communications. A conch shell was kept at the spring, some distance from the house. On this conch shell the children were taught to blow the blasts that gave Mr. Hart information. One signal was, "The enemy is at hand;" another was, "Keep close;" another, "Make tracks for the swamp;" and still another was that he and his friends were wanted at the cabin.
At the very darkest hour of the Revolution in Georgia, Aunt Nancy performed one of her most remarkable feats,—one that brought into play all the courage and devotion of her strong nature, and all the tact and audacity that belonged to her character.
Brigadier General Andrew Williamson, with three hundred men, was encamped near Augusta. When Charleston fell, this officer, who was already a traitor, though his treachery had not been avowed, called his officers together, and expressed the opinion that it would be foolish to further resist the King. He therefore advised them to return to their homes, and there accept the protection which would be offered them. He then abandoned his command, which was immediately disbanded. Shortly afterwards Colonels Brown and Garrison, two partisans of the King's army who had made themselves notorious by their cruelty to Americans, seized Augusta. Brown had been tarred and feathered in Augusta just before the breaking-out of the Revolution, and he made the patriots of that town and of the country roundabout pay dearly for the indignities that had been heaped upon him on account of his loyalty to the Crown. He confiscated the property of the patriots, and issued an order banishing all Whig families beyond the borders of Georgia.
Raiding parties were sent into the region in the neighborhood of Augusta to compel the inhabitants to take the oath of allegiance to the King. One of these parties entered the house of Colonel John Dooly, a gallant officer, and murdered him in cold blood in the presence of his wife and children. Colonel Dooly was the father of Judge Dooly, who became famous in Georgia after the war.
A detachment of this murdering party found its way to Aunt Nancy Hart's cabin. There were five Tories in the detachment, and Aunt Nancy received them coldly enough. They told her they had come to inquire into the truth of a report they had heard to the effect that she had aided a well-known rebel to escape from a company of King's men by whom he was pursued. With a twinkle of malice in her eyes, Aunt Nancy boldly declared that she had aided her Liberty Boy to escape, and then she described the affair.
She said that one day she heard the gallop of a horse. Looking out, she saw a horseman approaching, and at once knew him to be a Whig flying from pursuers. She let down the bars near her cabin, told him to ride his horse right through her house, in at the front door and out at the back, to take to the swamp, and hide himself the best he could. She then put up the bars, entered her house, closed the doors, and went about her business. In a little while a party of Tories rode up, and called to her with some rudeness. She muffled her head and face in a shawl, opened the door slowly, and asked in a feeble voice who it was that wanted to pester a sick, lone woman. The Tories said they had been pursuing a man, and had traced him near her house. They wanted to know if any one had passed that way. "I told 'em," said Aunt Nancy to the listening Tories, "that I had seen a man on a sorrel horse turn out of the road into the woods a little ways back. So they went back and took to the woods, and my Whig boy got off safe and sound."
Naturally this story, boldly told, did not please the five Tories who heard it; but something in the War Woman's eye prevented them from offering her any personal injury. Instead, they ordered her to give them something to eat.
"I never feed King's men if I can help it," she replied. "The scamps have fixed me so that I can't feed my own family in a decent manner. They have run off with all my pigs and poultry except that old gobbler you see in the yard there."
"Well, you shall cook the old gobbler for us," exclaimed one who seemed to be the leader of the party. Suiting the action to the word, he raised his musket and shot the gobbler. One of his men brought it into the house and gave it to Aunt Nancy, with orders to clean and cook it at once. This, of course, made that stanch patriot very angry, and she gave the Tories a violent tongue lashing.
It is probable that while she was dressing the turkey for the pot, the Tories let some hint drop about the outrageous murder of Colonel John Dooly, who was a warm friend of Aunt Nancy's. At any rate, she suddenly changed her tactics. She ceased to storm and quarrel, the scowl left her face, and she soon seemed to be in high good humor. She went about getting the meal ready with great good will. She sent her little girl to the spring after water, but told her to sound on the conch shell the signal to "keep close," so that her husband and his neighbors who were with him might know there were Tories in the cabin.
While the daughter was gone after water, one of the Tories volunteered to take her place in helping to get everything ready. Aunt Nancy accepted his services, and joked with him with great freedom and familiarity. Like all women of spirit and independence, Aunt Nancy possessed a considerable fund of humor, and it stood her in good stead now. She contrived to thoroughly interest the Tories, and it was not long before they were in the most jovial frame of mind imaginable. They had expected to find a bad-tempered, ill-conditioned woman; and they were agreeably surprised when they found, instead, a woman who could match their rude jests, and make herself thoroughly entertaining.
The Tories had brought a jug with them, and they were so pleased with Aunt Nancy's seeming friendliness that they invited her to drink with them. "I'll take one swig with you," said Aunt Nancy, "if it kills every cow on the Island," meaning a neck of land at the junction of river and creek where the Whig families of the neighborhood pastured their cattle and hid them. The Tories laughed and drank, and then they laughed and drank again. They kept this up until the old gobbler had been cooked to Aunt Nancy's satisfaction; and by the time they were ready to sit down to table they were in a very merry mood indeed.
They had stacked their arms within easy reach of where they had been sitting and drinking; but Aunt Nancy had moved her table to the middle of the floor, so as to be able to walk around it on all sides while waiting on the Tories. In helping the men to the turkey and other eatables that she had prepared, she frequently came between them and their muskets. The Tories had hardly begun to eat before they called for water. Aunt Nancy, expecting this, had used up in cooking all that had been brought: consequently her daughter had to take the piggin and go to the spring after a fresh supply. She went with instructions to signal her father, and the neighbors who were with him, to come immediately to the cabin. While her daughter was at the spring, Aunt Nancy managed to pull off one of the boards that filled the space between the logs of the house, and through this crack she slipped two of the muskets. She was slipping the third through when her movements caught the eye of one of the Tories. Instantly the men sprang to their feet, but Aunt Nancy was now in her element. Quick as a flash she clapped the musket to her shoulder, and threatened to shoot the first man that approached her. The men, knowing her reputation as a fighter, and awed by her appearance, hesitated. At last one bolder than the rest began to advance toward her. She fired promptly, and at the report of the gun the man fell dead on the floor.
Before the others could recover from their consternation, Aunt Nancy had seized another musket, and held it in readiness to fire again. Her daughter had now returned from the spring with the information that her father and his neighbors would soon arrive. Directed by her mother, the girl took the remaining musket and carried it out of the house. The Tories, seeing that no time was to be lost in recovering their arms, proposed to rush upon Aunt Nancy in a body and overpower her. But the War Woman was equal to the occasion. She fired again, and brought down another Tory. As she did so, the daughter, acting on her orders, handed her another musket. Then, taking position in the doorway, she called on the men to "surrender their ugly Tory carcasses to a Whig woman."
The Tories agreed to surrender, and wanted to shake hands to make the bargain binding; but Aunt Nancy kept her position in the doorway until her husband and his friends made their appearance. The Whigs wanted to shoot the Tories; but Aunt Nancy, whose blood was up, declared that shooting was too good for them. "They've murdered John Dooly," she exclaimed; "now let them hang for it!" Thereupon the Tories were taken out and hanged. The tree from which they swung was still standing as late as 1838, and was often pointed out by old people who had lived through the troubled times of the Revolution.
One day Aunt Nancy met a Tory going along the highway. She engaged him in conversation, diverted his attention, and suddenly seized his gun and wrenched it away from him. She then ordered him to take up the line of march for a fort not far distant. Not daring to disobey, the man marched before her, as many others had been compelled to do, and she turned him over to the commander of the fort.
When Augusta was in the hands of the British, and their raiding parties had been driven in by the Americans under Colonel Elijah Clarke, it became necessary for that commander to get some positive information in regard to the intentions of the British. At this juncture Aunt Nancy came to the rescue. She disguised herself as a man, and went boldly into the British camp. She remained there for several days, pretending to be crazy. In this way she secured a great deal of important information, and made haste to carry it to Colonel Clarke.
Aunt Nancy was once left in a fort with several other women and a number of small children, her own among the rest. The men had gone out in search of supplies. They had not expected an attack, and had left only one of their number, a young man, to protect the women and children. Suddenly a party of Tories and Indians made its appearance, and surrounded the fort, which was nothing more than a stockade. The yelling of the savages threw all the women and children into the utmost confusion,—all except Aunt Nancy. That wonderful woman, who never knew what fear was, only became more energetic in the face of danger. There was a small cannon in the fort, but it was not in position to reach the enemy with its fire. After trying her best to lift the cannon into position, Aunt Nancy remembered the young man who had been left in the fort, and looked about for him; but he was not to be seen. A close search discovered him hiding under a cowhide. Aunt Nancy pulled him out by the heels, and vowed she would make mince-meat of him unless he helped her to move the cannon. The fellow knew perfectly well that Aunt Nancy was not to be trifled with when her blood was up. He gave her the necessary assistance. She aimed the cannon and fired it, and the Tories and savages promptly took to their heels.
On another occasion when the river was high, it became necessary for the Americans on the Georgia side to know what was going on on the Carolina side; but no one could be induced to venture across. Hearing of the difficulty, Aunt Nancy promptly undertook to go.
The freshet had swept away all the boats, but to Aunt Nancy this was a trifling matter. She found a few logs, tied them together with grapevines, and on this raft made the voyage across the river. She gathered the necessary information, and made haste to communicate it to the Georgia troops.
Aunt Nancy was the mother of eight children,—six sons and two daughters. Her eldest daughter, Sally, married a man named Thompson, who was as quicktempered as his mother-in-law. After the war, Aunt Nancy moved to Brunswick. Sally and her husband followed a year or two later. In passing through Burke County, they camped for the night by the roadside. The next morning Thompson ordered a white man, who had been hired as a teamster, to perform some duty. Thompson's tone was so peremptory that the man returned an insolent answer, and refused. In a fit of rage, Thompson drew his sword, and severed the man's head from his body with one swinging stroke. He then drove the team himself until he came to the first house, where he gave information that he had cut off a fellow's head at the camp down the road, and that they "had best go and bury him." He then drove on, but was overtaken, arrested, and lodged in jail at Waynesboro. As soon as Aunt Nancy heard of the trouble, she made her appearance in the upcountry again. Within a few days after her return, the jail was found open one morning, and Thompson was gone. Speaking of this afterwards, Aunt Nancy was heard to exclaim,—
"Drat 'em! that's the way with 'em all. When they get into trouble, they always send for me!"
Not long after this episode, Mr. Benjamin Hart died. Aunt Nancy mourned his loss for a while, and then married a young man. Then, as the saying is, she "pulled up stakes," and moved to what is now the State of Alabama, on the Tombigbee. There she had the French and the Spaniards for neighbors, and she felt at home with neither race. She was bluntly, emphatically, and unaffectedly American. To add to her troubles, a big rain flooded the river, destroyed her crops, and surrounded her house. This, with the French and Spaniards, was too much for her. She returned to Georgia, but, finding her old home occupied by others, she settled in Edgefield, S.C.
A Methodist society was formed in her neighborhood, and its influence became so active that Aunt Nancy's conscience began to trouble her. She listened to the preaching of the Word from a distance until she became worried about her future state. She went to the meetinghouse, but found the door closed against intruders. The deacon and members were holding a class meeting. The closed door was no obstacle to Aunt Nancy. She cut the fastening and walked in without ceremony. Once in, she found what she wanted. She became an enthusiastic Methodist, and is said to have fought Satan and sin as manfully as she fought the Tories and the British.
When Governor George R. Gilmer of Georgia was in Congress, in 1828-29, the members were very anxious to attract the notice of General Jackson, who had been elected President. A proposal was made to fill the vacant niches in the rotunda with paintings descriptive of the battle of New Orleans and the general's other victories. Governor Gilmer offered as an amendment a resolution to fill one of the niches with a painting of Aunt Nancy Hart wading Broad River, her petticoats held up with one hand, a musket in the other, and driving three Tories before her, to deliver them up to Colonel Elijah Clarke.
Governor Gilmer's proposition was a more sensible one than he intended it to be. Georgia has perpetuated Aunt Nancy's name by calling a county after her; but the Republic owes something to her memory.
End of Project Gutenberg's Stories Of Georgia, by Joel Chandler Harris
*** END OF THIS PROJECT GUTENBERG EBOOK STORIES OF GEORGIA ***
***** This file should be named 24728-h.htm or 24728-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/4/7/2/24728/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
.JPG)
